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Books on Ceramics

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Classic Stoneware of Japan: Shino and Oribe
by Takeshi Murayama, Ryoji Kuroda
 

4770028970
Book Description
Though Japan today has become one of the world's most industrialized, mechanized, and computerized nations, it still boasts one of the world's richest and most fascinating ceramic traditions.

Two of the country's most remarkable styles of pottery are Shino and Oribe, both originating in ancient Mino Province (modern-day Gifu Prefecture) from the time of Japan's artistic "renaissance" in the late sixteenth century.

Oribe ware is one of the most startling and innovative expressions not only of this period but of all Japanese pottery. In a departure from the more refined tea ceremony utensils that represent the meditative aspect of the ceremony, Oribe ware has a more earthy feel, with its layering of naturally occurring colors: a piece might be made of red and white clay, with green glaze over the white portion, and line decorations done in iron over a coat of white slip on the red part. This ware is named for Furuta Oribe, who in his time was the undisputed master of the tea ceremony and who, it is said, commissioned certain kilns to make these pots after his own designs.  read more

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Ceramics
by Richard Zakin

 

0873416104
Reviewer: Sandra L. Young from Kailua-Kona, Hawaii
Ceramics Ways of Creation provides a refreshing venue for currently practicing ceramic artists to explain their processes, description of materials and methods, motivations and philosophies of purpose. Ample colorful illustrations expose the substance of each artist's work. This is an "inside peek" at what makes our contemporary ceramics scene "tick". Each artist is unique but a common love of the clay medium unites them.
Average Customer Review: 4.5 out of 5 stars
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The Craft and Art of Clay (3rd Edition)
by Susan Peterson

 

0130851256
From Booklist
Ceramists of all levels require a manual that both emphasizes technical know-how and devotes space to inspiring creativity with examples of innovative work. Peterson's expanded, copiously illustrated volume incorporates an extensive amount of valuable material for potters studying wheel-throwing or hand-built sculpture, clay and glaze chemistry, mold making, decorating methods, or firing techniques. Although many of the step-by-step photographs would be more effective if larger, Peterson cannot be faulted for her comprehensive approach to the subject matter. In addition to a compendium filled with information, there are engaging portfolios showing the historical evolution of ceramic art and a gallery of contemporary artists' works. For arts-and-craft collections, this resource offers instruction in all areas of ceramics.
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Ceramic Form: Design & Decoration
by Peter Lane

0847821137
Book Description
In this new, revised edition of Ceramic Form (1988), the author explains the working methods of more than 150 contemporary potters and considers their approaches to design and decoration of bowls and bottles through the use of color, patterns, and texture. A unique directory of forms in profile make this at once a history and guide for collectors, an inspirational library of forms for potters, and an invaluable illustrated source for collectors.

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New Ceramic Design
by Edmund De Waal

 

1861261365
Book Description
Colour in Clay is a complete study of the particular magic that color oxides and stains in the clay body can bring to throwing, pinching, coiling, inlay, lamination, and sculpture. Ceramist Jane Waller profiles50 artists from Europe and America, offering detailed and enlightening commentary on their working methods, firing techniques, and sources of inspiration. Colour in Clay, an inspiration in its own right, is an invaluable guide for those who wish to take advantage of the enormous range of color stains now available. A collaborative effort by some of the most influential ceramists working today, the book offers a rich pooling of recipes, tips, and ideas that will encourage all potters to explore and experiment with color. Jane Waller has an advanced degree in Ceramics from the Royal College of Art; she has been making Millefiori and Raku ceramics for more than20 years.

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